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	<title>jiyeunkang.com</title>
	<link>https://jiyeunkang.com</link>
	<description>jiyeunkang.com</description>
	<pubDate>Wed, 23 Sep 2026 13:17:54 +0000</pubDate>
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	<language>en</language>
	
		
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		<title>Homepage</title>
				
		<link>https://jiyeunkang.com/Homepage</link>

		<pubDate>Sat, 18 Nov 2017 13:09:41 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

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		<title>Why Women in China Are Saying 'No Thanks' to Marriage and Children</title>
				
		<link>https://jiyeunkang.com/Why-Women-in-China-Are-Saying-No-Thanks-to-Marriage-and-Children</link>

		<pubDate>Wed, 02 Sep 2026 03:23:59 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/Why-Women-in-China-Are-Saying-No-Thanks-to-Marriage-and-Children</guid>

		<description>
	
&#60;img width="3038" height="4163" width_o="3038" height_o="4163" data-src="https://freight.cargo.site/t/original/i/bde12ec87238dc21f692aa423a4cb2761c0e4bc2b9b115cde6b9456731ab9285/Chinese-women_color_260824.jpg" data-mid="251756466" border="0"  src="https://freight.cargo.site/w/1000/i/bde12ec87238dc21f692aa423a4cb2761c0e4bc2b9b115cde6b9456731ab9285/Chinese-women_color_260824.jpg" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/04fa2c87b829ab86fd8e098d9611446a35d4cf42de1c1549f4defd4e7e00850a/Mobile-version_ChineseWomen.jpg" data-mid="251756467" border="0"  src="https://freight.cargo.site/w/1000/i/04fa2c87b829ab86fd8e098d9611446a35d4cf42de1c1549f4defd4e7e00850a/Mobile-version_ChineseWomen.jpg" /&#62;
	Why Women in China Are Saying 'No Thanks' to Marriage and Children

An illustration for The Persistent, accompanying Lijia Zhang’s article, “Why Women in China Are Saying ‘No Thanks’ to Marriage and Children.”

What stayed with me most while reading the story was the way women’s lives can change from one generation to the next. The story follows one woman’s family across generations, showing how marriage, motherhood, and the idea of what a woman’s life should look like can shift over time.

I was drawn to the different ways these women have lived their lives, and to the layers of old expectations and desires they carry with them. I wanted to capture the tension between those inherited ideas and the quiet moment when a woman begins to move beyond them and reveal a life of her own.

Read the full story on The Persistent





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		<title>Can Wildflowers Heal the Toxic Mess the L.A. Fires Left Behind?</title>
				
		<link>https://jiyeunkang.com/Can-Wildflowers-Heal-the-Toxic-Mess-the-L-A-Fires-Left-Behind</link>

		<pubDate>Wed, 23 Sep 2026 12:27:16 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/Can-Wildflowers-Heal-the-Toxic-Mess-the-L-A-Fires-Left-Behind</guid>

		<description>
	
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/931fdb592b80d7877ffb4e178d565d099859c742e446cd0bd4f43a459c85a9e2/NationalGeography_Wildflowers_spread_01.jpg" data-mid="252500175" border="0"  src="https://freight.cargo.site/w/1000/i/931fdb592b80d7877ffb4e178d565d099859c742e446cd0bd4f43a459c85a9e2/NationalGeography_Wildflowers_spread_01.jpg" /&#62;
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/931fdb592b80d7877ffb4e178d565d099859c742e446cd0bd4f43a459c85a9e2/NationalGeography_Wildflowers_spread_01.jpg" data-mid="252500175" border="0"  src="https://freight.cargo.site/w/1000/i/931fdb592b80d7877ffb4e178d565d099859c742e446cd0bd4f43a459c85a9e2/NationalGeography_Wildflowers_spread_01.jpg" /&#62;
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/2bd0b07f6f238a81cee8c8f84362a82105e410ed87a7954a18e29a3c9c160425/NationalGeography_Wildflowersspread_02.jpg" data-mid="252500177" border="0"  src="https://freight.cargo.site/w/1000/i/2bd0b07f6f238a81cee8c8f84362a82105e410ed87a7954a18e29a3c9c160425/NationalGeography_Wildflowersspread_02.jpg" /&#62;
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/c178bf4b5720e92582b7302d378b56370c40392911f708774bbeea91a19f0355/NationalGeography_Wildflowers_spread_03.jpg" data-mid="252500176" border="0"  src="https://freight.cargo.site/w/1000/i/c178bf4b5720e92582b7302d378b56370c40392911f708774bbeea91a19f0355/NationalGeography_Wildflowers_spread_03.jpg" /&#62;

	Can Wildflowers Heal the Toxic Mess the L.A. Fires Left Behind?

I created a series of illustrations for Dana Goodyear’s article, “Can Wildflowers Heal the Toxic Mess the L.A. Fires Left Behind?” in National Geographic’s September 2026 issue.

The article explores how native wildflowers can help restore toxic soil left behind by the January 2025 Los Angeles wildfires, and how the process of regrowth can bring a sense of hope and renewal to affected communities.

For the illustrations, I wanted to visualize that gradual movement from loss toward recovery. I used seed bombs and the growth of native plants as recurring elements, beginning with a more muted, fire-affected landscape and gradually introducing richer colors, new growth, and blooming wildflowers as the story unfolds.






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		<title>Vladimir Cast and Crew Discuss Julia May Jonas’s Series Adaptation</title>
				
		<link>https://jiyeunkang.com/Vladimir-Cast-and-Crew-Discuss-Julia-May-Jonas-s-Series-Adaptation</link>

		<pubDate>Wed, 02 Sep 2026 03:36:17 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

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&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/1b78318aec3caab651a03d6d1d4f5333f7b19c1b3c224420a66beb2cc7e7005b/Brochure-and-Catalog-Mockup-240725_insta01.jpg" data-mid="251756556" border="0"  src="https://freight.cargo.site/w/1000/i/1b78318aec3caab651a03d6d1d4f5333f7b19c1b3c224420a66beb2cc7e7005b/Brochure-and-Catalog-Mockup-240725_insta01.jpg" /&#62;
&#60;img width="2106" height="1404" width_o="2106" height_o="1404" data-src="https://freight.cargo.site/t/original/i/a58b8f7090425898b4700ec7ea0cf02c1f0bb9d5a095c05f2a0e2977ac17db68/Tudum-Magazine_Book-to-Screen_Vladimir_color_260616_HeroS.jpg" data-mid="251756561" border="0"  src="https://freight.cargo.site/w/1000/i/a58b8f7090425898b4700ec7ea0cf02c1f0bb9d5a095c05f2a0e2977ac17db68/Tudum-Magazine_Book-to-Screen_Vladimir_color_260616_HeroS.jpg" /&#62;
&#60;img width="1350" height="1350" width_o="1350" height_o="1350" data-src="https://freight.cargo.site/t/original/i/fc8051491b786fbe892c009d53a7ec69a54192ab0e5fabafae3e6b15980495ea/TD_Brochure-and-Catalog-Mockup-240725_insta01.jpg" data-mid="251756554" border="0"  src="https://freight.cargo.site/w/1000/i/fc8051491b786fbe892c009d53a7ec69a54192ab0e5fabafae3e6b15980495ea/TD_Brochure-and-Catalog-Mockup-240725_insta01.jpg" /&#62;
&#60;img width="1350" height="1350" width_o="1350" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9c46df7f5a1ec6a08dfa17324e49ee687854a76a7c86f58783402fc3fcab87a3/TD_Brochure-and-Catalog-Mockup-240725_insta02.jpg" data-mid="251756696" border="0"  src="https://freight.cargo.site/w/1000/i/9c46df7f5a1ec6a08dfa17324e49ee687854a76a7c86f58783402fc3fcab87a3/TD_Brochure-and-Catalog-Mockup-240725_insta02.jpg" /&#62;
&#60;img width="1350" height="1350" width_o="1350" height_o="1350" data-src="https://freight.cargo.site/t/original/i/2f53340eab2ba06227df84870411198187e32ed818827b19a043619f3b8e5457/TM24_Vladimir_BookToScreen_Final_3.jpg" data-mid="251756557" border="0"  src="https://freight.cargo.site/w/1000/i/2f53340eab2ba06227df84870411198187e32ed818827b19a043619f3b8e5457/TM24_Vladimir_BookToScreen_Final_3.jpg" /&#62;

	Vladimir Cast and Crew Discuss Julia May Jonas’s Series Adaptation

I had the pleasure of creating a series of illustrations for Vladimir, featured in Tudum’s Book to Screen series exploring the adaptation of Julia May Jonas’s novel for television.

I was especially drawn to the story’s atmosphere of desire, obsession, and tension. While reading the novel, I wanted to capture the strange mix of beauty and destructiveness in desire, and the feeling of an obsession that slowly deepens and takes over.

It was a fascinating story to work with, and I really enjoyed exploring that raw and unsettling atmosphere through the images.

Thank you to Virginia Shannon, Patrick Crowley, and the team at Pentagram and Netflix Tudum for having me be part of this project.

Read the full feature on Netflix Tudum





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		<title>My night with the guerrilla balloonists of South Korea</title>
				
		<link>https://jiyeunkang.com/My-night-with-the-guerrilla-balloonists-of-South-Korea</link>

		<pubDate>Wed, 02 Sep 2026 04:01:39 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/My-night-with-the-guerrilla-balloonists-of-South-Korea</guid>

		<description>
	
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/598a0ba776ab7bf6c509d09a0d23d109a58405b5285bc15b470fdca871db13d7/Brochure-and-Catalog-Mockup-260902_spread_2.jpg" data-mid="251756691" border="0"  src="https://freight.cargo.site/w/1000/i/598a0ba776ab7bf6c509d09a0d23d109a58405b5285bc15b470fdca871db13d7/Brochure-and-Catalog-Mockup-260902_spread_2.jpg" /&#62;
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/598a0ba776ab7bf6c509d09a0d23d109a58405b5285bc15b470fdca871db13d7/Brochure-and-Catalog-Mockup-260902_spread_2.jpg" data-mid="251756691" border="0"  src="https://freight.cargo.site/w/1000/i/598a0ba776ab7bf6c509d09a0d23d109a58405b5285bc15b470fdca871db13d7/Brochure-and-Catalog-Mockup-260902_spread_2.jpg" /&#62;
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/0eec7c40aa92efa3e088cb2285c786633a8f4fe8407c372e13d5b5dcad12e1ff/Brochure-and-Catalog-Mockup-260902_spread_2_p2.jpg" data-mid="251756689" border="0"  src="https://freight.cargo.site/w/1000/i/0eec7c40aa92efa3e088cb2285c786633a8f4fe8407c372e13d5b5dcad12e1ff/Brochure-and-Catalog-Mockup-260902_spread_2_p2.jpg" /&#62;
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/ddb928c5d4d9c826801d4c096a558d1022f6f570cbc7eead5b27419bacd7c4b1/Brochure-and-Catalog-Mockup-260902_spread_2_p3.jpg" data-mid="251756690" border="0"  src="https://freight.cargo.site/w/1000/i/ddb928c5d4d9c826801d4c096a558d1022f6f570cbc7eead5b27419bacd7c4b1/Brochure-and-Catalog-Mockup-260902_spread_2_p3.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/86b17bcac9e51a53fbf13b5ce4c630fee9ee60fdd261c46f0c7567d6f81f3594/JiyeunKang_NatGeo_Mobile-version_p1_250812.jpg" data-mid="251756692" border="0"  src="https://freight.cargo.site/w/1000/i/86b17bcac9e51a53fbf13b5ce4c630fee9ee60fdd261c46f0c7567d6f81f3594/JiyeunKang_NatGeo_Mobile-version_p1_250812.jpg" /&#62;

	My night with the guerrilla balloonists of South Korea

Illustrations for National Geographic, accompanying Paul Salopek’s essay about a group of North Korean defector activists who launch balloons carrying leaflets across the border under cover of night.

I created a series of three illustrations for the story, designed to unfold across multiple spreads. The opening image shows the balloons floating quietly past Seoul’s Namsan Tower and heading toward the North. I liked the contrast between this familiar Seoul landscape and the destination just beyond it — a place that feels so close, yet remains almost impossible to see.

The balloons themselves became an important part of the visual language of the story. They are light, delicate, and almost beautiful as they drift through the night, yet they carry stories of separation, longing, exhaustion, and hope.

I wanted the three images to move between these different feelings, capturing something of the quiet courage of the people behind the balloons and the bittersweet complexity of lives shaped by division and exile.

Read the full story on National Geographic





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		<title>Golden Screen</title>
				
		<link>https://jiyeunkang.com/Golden-Screen</link>

		<pubDate>Wed, 23 Sep 2026 12:35:56 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/Golden-Screen</guid>

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&#60;img width="2000" height="2516" width_o="2000" height_o="2516" data-src="https://freight.cargo.site/t/original/i/5f7ea03db484afdb1b018d75062b7733835a411a0330af5f1dfb99033bccfa6a/The-Golden-Screen_The-Cheat-Mocie-Poster.jpg" data-mid="252500469" border="0"  src="https://freight.cargo.site/w/1000/i/5f7ea03db484afdb1b018d75062b7733835a411a0330af5f1dfb99033bccfa6a/The-Golden-Screen_The-Cheat-Mocie-Poster.jpg" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3a783e1c0c17ba87580ad6b6c148758b0fd8e79d3f0ee21556af1fa71f2a88d8/The-Golden-Screen_The-Cheat-Movie-Poster_cover.jpg" data-mid="252500470" border="0"  src="https://freight.cargo.site/w/1000/i/3a783e1c0c17ba87580ad6b6c148758b0fd8e79d3f0ee21556af1fa71f2a88d8/The-Golden-Screen_The-Cheat-Movie-Poster_cover.jpg" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8438836589bf97e4d92386e02fcdc3f3d8eb99353dba90312c227e62a4c656a9/The-Golden-Screen_The-Cheat-Movie-Poster_interior-page.jpg" data-mid="252500471" border="0"  src="https://freight.cargo.site/w/1000/i/8438836589bf97e4d92386e02fcdc3f3d8eb99353dba90312c227e62a4c656a9/The-Golden-Screen_The-Cheat-Movie-Poster_interior-page.jpg" /&#62;

	Golden Screen

I contributed interior illustrations to Golden Screen, a book that explores the history and impact of Asian Americans in Hollywood, examining their filmographies, representation on the big screen, and the stereotypes and barriers they have faced throughout the history of American cinema.

It was a pleasure to be part of this project alongside a diverse group of Asian artists, including Toma Nguyen, Barbarian Flower, Jun Cen, Cryssy Cheung, Cliff Chiang, Yu-Ming Huang, Ashraf Omar, and Zi Xu.

I’m grateful to Jeff Yang and Art Director Katie Benezra for giving each artist the freedom to bring their own visual language and individuality to the project.






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		<title>POLITICO_The Trump Effect</title>
				
		<link>https://jiyeunkang.com/POLITICO_The-Trump-Effect</link>

		<pubDate>Wed, 23 Sep 2026 13:17:54 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/POLITICO_The-Trump-Effect</guid>

		<description>
	
&#60;img width="1296" height="1350" width_o="1296" height_o="1350" data-src="https://freight.cargo.site/t/original/i/17dfe2f4a4b2a481d5f5d576d574decec877ed8c4fdd8000a6ba1fc2e7bbb9d2/Brochure-and-Catalog-Mockup-240725_spread_2_p3.jpg" data-mid="252501207" border="0"  src="https://freight.cargo.site/w/1000/i/17dfe2f4a4b2a481d5f5d576d574decec877ed8c4fdd8000a6ba1fc2e7bbb9d2/Brochure-and-Catalog-Mockup-240725_spread_2_p3.jpg" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/d016697643b09a9d1aa6d6b6c24a02686b22a7add9f0efad2721f99372ce6ab2/JiyeunKang_POLITICOEUROPE_The-Trump-Effect_v03.jpg" data-mid="252501222" border="0"  src="https://freight.cargo.site/w/1000/i/d016697643b09a9d1aa6d6b6c24a02686b22a7add9f0efad2721f99372ce6ab2/JiyeunKang_POLITICOEUROPE_The-Trump-Effect_v03.jpg" /&#62;
	The Trump Effect: How One Man’s Politics Rewired Europe

I created an illustration for POLITICO Europe’s feature, “The Trump Effect: How One Man’s Politics Rewired Europe.”

Inspired by the idea of a “sink-or-swim” moment, I depicted Europe as a massive aircraft carrier cutting through stormy seas, with combat drones launching into the sky above. I wanted to capture Europe at a pivotal moment, navigating profound uncertainty and change while searching for a new direction.

The stormy sea and muted atmosphere reflect the weight and turbulence of the moment, while the movement of the carrier and drones suggests a sense of urgency and forward momentum. Through this image, I explored the idea of Europe being tested as it moves through a period of disruption and considers what might lie beyond it.
Read the full story on The POLITICO





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		<title>Arrival of New Women</title>
				
		<link>https://jiyeunkang.com/Arrival-of-New-Women</link>

		<pubDate>Sun, 18 Jun 2023 00:31:07 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/Arrival-of-New-Women</guid>

		<description>
	
&#60;img width="2000" height="2667" width_o="2000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/06f7dd7a2b90750c4ef0db180c954176936221a349baa6e4247904afc1c5edd2/NewWomen.jpg" data-mid="182425806" border="0"  src="https://freight.cargo.site/w/1000/i/06f7dd7a2b90750c4ef0db180c954176936221a349baa6e4247904afc1c5edd2/NewWomen.jpg" /&#62;
	Arrival of New Women

It's the title of a book I recently read. What did "New Women" mean in those days? They were neither female students, virtuous ladies, nor courtesans, but they roamed the streets of the city of Keijo.Na Hye-seok, Choi Seung-hee, Cheon Kyeong-ja, Park Rae-hyun, and many others...Their beautiful yet sorrowful lives as they engaged in various fields.What does the modern-day New Woman look like now?






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		<title>K WAVE_Courrier international</title>
				
		<link>https://jiyeunkang.com/K-WAVE_Courrier-international</link>

		<pubDate>Thu, 15 Jun 2023 03:27:21 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/K-WAVE_Courrier-international</guid>

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&#60;img width="1646" height="1646" width_o="1646" height_o="1646" data-src="https://freight.cargo.site/t/original/i/7bb1e9bef5930fec42ab9157e7c1e3ceeebd03214a8f36faf4e2a7322df30336/Brochure-and-Catalog-Mockup-230613_square.jpg" data-mid="182121912" border="0"  src="https://freight.cargo.site/w/1000/i/7bb1e9bef5930fec42ab9157e7c1e3ceeebd03214a8f36faf4e2a7322df30336/Brochure-and-Catalog-Mockup-230613_square.jpg" /&#62;
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&#60;img width="1853" height="1853" width_o="1853" height_o="1853" data-src="https://freight.cargo.site/t/original/i/b0e2b6eff48fdb8e35be72ca96cf1c66b09e0f7e7189dcdf8c924f6ab1fb7b60/Brochure-and-Catalog-Mockup-230613_spreadp42-43.jpg" data-mid="182121928" border="0"  src="https://freight.cargo.site/w/1000/i/b0e2b6eff48fdb8e35be72ca96cf1c66b09e0f7e7189dcdf8c924f6ab1fb7b60/Brochure-and-Catalog-Mockup-230613_spreadp42-43.jpg" /&#62;
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	K WAVE

My illustrations were featured in the K-wave introduction section of Courrier international, a French magazine. They were used extensively on the cover and inside pages, either as they were or with some modifications.Personally, I was thrilled to see that one of the illustrations I used for New Year's greetings a few years ago was included.






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		<title>LOVE</title>
				
		<link>https://jiyeunkang.com/LOVE</link>

		<pubDate>Thu, 15 Jun 2023 03:09:44 +0000</pubDate>

		<dc:creator>jiyeunkang.com</dc:creator>

		<guid isPermaLink="true">https://jiyeunkang.com/LOVE</guid>

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	LOVE

This illustration has been chosen as a winner for AMERICAN ILLUSTRATION 42! It will be appear online as part of The AI-AP ARCHIVE at ai-ap.com. 
I'm grateful for this opportunity to express my thoughts on peace through art.&#38;nbsp;






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